Several months ago I was contacted by Emory University. There was going to be an article in their Quadrangle magazine about the International Shakespeare program. The article entitled “Skyping Shakespeare” was going to feature the digital learning experience co-directed by Sheila Cavanagh and Kevin Quarmby.
You may remember my post from October 3, 2012. I wrote about portraits, specifically the ones I had painted of Sheila and Kevin.
Emory wanted to use these portraits in their article.
I was thrilled to see my artwork in this lovely publication. Thank you to the staff of the magazine and to the faculty who made this possible.
As I try to define this word I know there are portraits of people, living and dead. There are portraits of pets and places.
A life is a passing of time, whether it be that of a living and breathing being or a geologic substrata.
The portraits here are those of Kevin Quarmby and Sheila Cavanagh. They have given life to the World Shakespeare Project which they co-direct. Their website says,”Experimenting with new technologies that allow real-time interaction between students and faculty worldwide, the WSP offers an alternative pedagogical experience. Regardless of location, race, religious creed or financial status, students and faculty share live interactive classroom exchange. Shakespeare’s universal narratives provide the common currency.”
This is an amazing worldwide program. I hope you will go to their website and read more.
I painted these portraits in oil paint on 16″ x 20″ canvas. The background collage is printed from handouts the two directors use in their classroom teaching at Emory and Oxford College of Emory. Sheila’s dress is a Chinese translation of a Shakespeare text sent to me by art therapist and artist Hannah Hunter. Living in northern California she says she often finds second hand books in Chinese. A beautiful texture to add to the portrait.
Below you can see one of the early stages of the portrait of Kevin. The glazes of skin tones were still to come. What is pictured here is the underpainting.